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Sarah Kember is a Professor of New Technologies of Communication at Goldsmiths University and the Director of Goldsmiths Press. Sarah’s recent publications include: a feminist critique of smart media iMedia. The gendering of objects, environments and smart materials (Palgrave Macmillan, 2015) and a co-authored monograph Life After New Media: Mediation as a Vital Process (The MIT Press, 2012). Previous publications include: Virtual Anxiety. Photography, New Technologies and Subjectivity (Manchester University Press, 1998); Cyberfeminism and Artificial Life (Routledge, 2003); the co-edited volume Inventive Life. Towards the New Vitalism (Sage, 2006); an edited open access ebook Astrobiology and the Search for Life on Mars (Open Humanities Press, 2011) and a novel The Optical Effects of Lightning (Wild Wolf Publishing, 2011). Sarah co-edits the journal Feminist Theory, is co-PI of an RCUK funded project on digital publishing (CREATe) and Director of Goldsmiths Press. Currently working on a book on future media, Sarah is also in the process of writing her second novel.